Astronoetic Cinema: Astronoetic Pessimism in Prometheus (2012)

In this penultimate entry of his Astronoetic Cinema series, Michael Uhall argues that Prometheus (dir. Ridley Scott, 2012) presents a fully-realized version of astronoetic pessimism, denying the human-centered search for meaning, ultimately contructing a world in which humans exist as an afterthought, a byproduct barely worth acknowledging.

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