Listening Notes: Christian Fennesz’s Agora (2019)

David Taylor provides an entry to Fennesz’s recent albums, in particular Agora (Touch, 2019): his “approach to the musical past is to transform and disfigure it in flight toward new forms of expression, then these records demonstrate a similar approach to geography, as the coordinates and specificities of place get dissolved and flow out into oceans of pure sound.”

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