Astronoetic Cinema: The Posthuman Question in Alien: Covenant (2017)

In the final (for now) entry of his Astronoetic Cinema series, Michael Uhall argues that Alien: Covenant (dir. Ridley Scott, 2017) presents a radical rejection of the human, via its commitment to radically speculative alternatives to the human – or, in other words, to posing and, possibly, answering the posthuman question in substantive terms.

Read More

Astronoetic Cinema: Astronoetic Pessimism in Prometheus (2012)

In this penultimate entry of his Astronoetic Cinema series, Michael Uhall argues that Prometheus (dir. Ridley Scott, 2012) presents a fully-realized version of astronoetic pessimism, denying the human-centered search for meaning, ultimately contructing a world in which humans exist as an afterthought, a byproduct barely worth acknowledging.

Read More